 Articles tagged: ballet
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This article provides a description of the theater scene in Austin and some of the different venues and theater groups in Austin. written by lisa Howell
An essential component of Classical Ballet is having ample strength in the feet to get into a high demi-pointe (or ¾ pointe) position. Gaining this position is essential for correct technique and balance. Some dancers have excellent pointe range on testing, yet struggle to achieve this height when rising. Lisa Howell offers some exercises and tips to improve range and height of the demi-pointe position. written by lisa Howell
It is often asked in regards to ballet training how hard the bottom muscles should be working. This article makes a distinction between the turn-out and gluteal muscles and endeavours to make clear when and when not the gluteal muscles should be activated when dancing. A test for the gluteal muscles is included. Correct use of these muscles will help you in everything from jumps, to your work en fondu, your arabesque line, your back, and even your flexibility into the splits written by lisa Howell
Problems in the Achilles tendon are common in dancers and it is a generally poorly understood injury in many dance circles. Lisa Howell in this article summarises the key steps to a successful rehabilitation programme, focusing on an eccentric loading principle. Predisposing factors to Achilles tendonopathy and advice about returning back to dancing are also mentioned. It is important to note that information given in this article is generalised in nature and must not be used to diagnose or treat any dancer or other person without the approval of a qualified medical professional. written by lisa Howell
The deep abdominal and back muscles are critical for a dancer to maintain good posture and strength throughout class and performance. Lisa Howell, dance physiotherapist, outlines the need for activation of the Transverse Abdominis, Pelvic Floor and Multifidus muscles and offers a guide to initiating and training these muscles written by lisa Howell
Many dancers have amazing flexibility when stretching, but find it hard to use this when dancing, especially with a developpé. This article outlines a simple floor exercise aimed at increasing the height of you leg as well as building the strength to hold it in these positions.
written by lisa Howell
There are many things that can influence your ability to balance. Poor balance may cause your supporting foot to wobble and make it hard to stabilise en demi-pointe, putting you at risk of injury. In this article Lisa Howell discusses some test and exercises that are aimed at improving balance.
written by lisa Howell
Dancers are constantly striving for perfection and are as a result always trying to improve their flexibility. To improve flexibility stretching should be effective, efficient and safe. Lisa Howell offers some helpful hints and her own stretch programme to improve flexibility into the splits.
written by lisa Howell
As a dancer goes through any period of growth, some pain and stiffness may be noticeable. Unfortunately as we grow, all the action takes place at the growth plates in our bones, and it does take some time for the muscles, ligaments and nerves to adjust to their new positions. This article explains the reason for growth pains and offers advice to those dancers who may be experiencing a decrease in flexibility.
written by lisa Howell
As a dancer goes through any period of growth, some pain and stiffness may be noticeable. Unfortunately as we grow, all the action takes place at the growth plates in our bones, and it does take some time for the muscles, ligaments and nerves to adjust to their new positions. This article explains the reason for growth pains focusing on the area of the knees and offers advice to those dancers who may be experiencing pain in this area.
written by lisa Howell
Many dancers, and their teachers, often ask “What are the best pointe shoes to use?” This is a question with no set answer, as every foot and dancer will suit a different shoe, and many will choose a different shoe for different ballets.
written by lisa Howell
Having pointe shoes that fit well can make all the difference in you loving or hating pointe work, so it is important to get it right from the beginning. Ill fitting shoes can result in not only pain and discomfort while dancing, but also black toenails, blisters and stress fractures in the toes.
written by lisa Howell
Many adults start taking ballet classes later in life, and often wonder whether it is possible to progress onto pointe. The same strength and flexibility requirements that young girls need to attain before commencing onto pointe obviously apply, however there are a few other issues to consider in the adult dancer.
written by lisa Howell
It is possible that a dancer who is slightly ‘heavier’ does has enough strength to hold their weight en pointe, however how heavy is too heavy to dance en pointe? This article, from Lisa Howell, discusses the issue of pointe work with ‘heavier’ girls and offers some suggestion to a sensible diet and exercise programme to maintain whilst dancing.
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